How Does 75 Become 120???

The quick answer is, Ivan Dishliev.

Here’s the longer version:

So, if you’ve read my story, you know that I’m going to compete at the Desert Classic DanceSport Competition.  It’s coming up in July, the 11th through the 14th to be exact.  And today I wrote the check.  I kissed a nice sum of money goodbye and also made it official.  I’m REALLY going.  It’s REALLY going to happen.

So when we started talking about the competition, I thought I’d maybe do like 75 entries.  That’s still no small number, maybe averaging out to be around 25 per day of the 3 days of the competition.  I’m going to do Latin (minus Paso Doble, but plus Jive, which I haven’t worked on one iota), and Smooth, and American Rhythm.  We’ll also throw in a Hustle or two and some West Coast Swings just for fun, just to relax and enjoy.  I thought this would be enough dancing that I’d feel like I was doing something while I was there, but not so much that I’d kill myself.

If you read more of my blog, you’d know that last June I did 150 heats at the San Diego DanceSport Competition, and that was in two days time. I had to ice my feet between heats, and had 30 in a row right off the bat which about killed me.  It was a Herculean feat, one I didn’t know if I could do, but I did, and even earned Top Student in the Bronze category.  So anyways, I’ve done a marathon.  I’ve done pushing my limits past what I thought I could do.  So I thought I wouldn’t do that this time around and 75 seemed like the reasonable number.

But not to Ivan.

“Why only 75?”

“Ivan!  That’s a lot!  That’s plenty!”

I suppose to someone who once did 600 heats in a competition I’m small potatoes.  But I’m no pro.  I’m just me.  And I’m not in the best dancer’s shape either!  75 sounded like a good challenge.

“How about 100?”

“I might consider 100.  But I want to try doing a scholarship round this time.  I’ve never done one of those.  I’d like to see how I’d do.”

“Okay, okay.  It’s fine.  You think about it.  Maybe if you doing 100 you can be Top Student.”

To be honest, that would be cool.  I would be thrilled to achieve that again.  But with the 150 heats I did last time, that was my clear intent.  I wanted to prove to myself that I could actually do it.  And I made sure to enter enough heats that I had a fighting chance.  Not a lot of people do that many heats, I don’t think.  But since I already did that, it’s actually about having more dance time this go-around.  I want to be out on the floor showing off what Ivan and I have worked on for the last 8 months.  I want to have time to really express myself.  I want enjoy my time dancing.

So the prospect of going for Top Student hasn’t really been a driving force in my decision.  But I know that I would rather be dancing than sitting so since I can afford it right now, I thought, well, if Ivan wants to dance with me that much, then I will say yes.

But the negotiations didn’t end there, it seems.

Today I showed up on my lesson and wrote out the check for 100 heats.  I thought that was it.  But Ivan had another surprise in store for me.

Around 10am I got a call.  Somehow Ivan had a way for me to dance in 20 more heats for the cost of only 2 more.  How could I say no to an opportunity like that?  Suddenly I was dancing in 120 heats instead of 75.  So I guess that’s how you get from 75 to 120!

“Now you maybe can be Top Student.”

“Maybe Ivan.  We’ll see.”

“Yes.  You have to doing all the expression, and melt the ice, and energy, and breathing, and all that.  Me too.  Me too.  It depending.  But maybe we can do it.”

It’s actually kind of exciting.  I think it is a longer shot and would mean more if I actually made Top Student in this upcoming competition.  For one thing, it would be at a larger competition.  For another, I’d have to place really well in most heats to earn enough points to win.  In the other competition I had 30 more heats which meant more opportunities for points, even if I placed last.  We’ll see.

I’m actually more psyched about the scholarship rounds.  I’m excited about being introduced on the dance floor like they do with the professionals (assuming I make it to the final!  Just making the final would be a huge accomplishment for me!).  I want to put myself out there and see what happens.  I figure it will be some great feedback no matter what the outcome and great experience as well.

Anyways, that’s what’s going on in my world right now.  We moved this weekend and I’m dancing.  I’ve been going in at 6:30 am before work.  I think it’s a good thing and I’m excited to see how far I can get in terms of fitness and cardiovascular endurance with a final concerted effort in this last month before the competition.  Today I did 2 minutes on most dances we did and over 3 minutes of Waltz.  It’s brutal, but great!  Progress!

And one final thing.  I’d like to share something that made me smile.  I get spam links on my blog all the time. Luckily I have a program that identifies them and I can look through them, purge them, etc.  But every once in a while one comes along that isn’t trash.  There was a bona fide comment in there once, and today, it probably was spam, but I clicked the link because it had dance in the title and it turned out to be a fun thing.  It also made me think, if this guy can go out there and shake it in a tiny sequin speedo, I can go out there and shake it in my bedazzled ballroom dress.  I have to admit, I was a little worried for him doing the open-legged handstands…that could have gone very wrong, but I love his energy, and cool, calm confidence.  Hopefully I’ll be like that at Desert Classic…but don’t expect to see me in a sequined speedo any time soon!  Enjoy!

Topical Series: Money Makes The World Go ‘Round

Not one to shy away from a touchy issue, I’m going to dare to broach the subject of money in the context of ballroom.

Oh, there are group lessons you can find as inexpensive as $5, but if you are a competitive amateur student and ballroom junkie like me, private lessons with an experienced (and maybe even some less experienced) instructor can easily cost upwards of $75 a pop. Yes, there are some cheaper lessons out there….the lowest I’ve heard of is $60….but there is also the other end of the spectrum of $100 or even $125 per lesson. For a professional who is a champion or a pro on DWTS, they can probably charge whatever they want.

For someone who dances like me, ballroom rivals, and I think exceeds, the financial cost of a another expensive sport and hobby, golf.

No doubt about it, ballroom is an expensive pastime, but where does all that money go? Why are lessons so expensive? Why would anyone in their right mind (including me) pay upwards of $50 to dance for a mere minute-and-a-half in competition? Truly, it boggles the mind.

I want to tackle this topic in a sensitive way but I do think the questions are valid. Again, this is just my perspective, and I am sure there are many others. I am open to your commentary and feedback.

I guess I’ll start by explaining why I am willing to pay such a premium.

The most basic and personally compelling reason is because I enjoy doing it. But for someone new to dancing, or for someone just new to the ballroom world, even this valid reason may not be enough to justify the expense in some people’s minds.

I mean, all the ballet and jazz dancing I did in the past, though associated with a hefty price tag, still never approached the cost of ballroom. I attribute this to the fact that the classes were group, never private, and recitals were infrequent events. Even the costumes were less expensive, never being bedazzled with Swarvosky crystals.

But in ballroom, the way I dance, it is mostly private, one-on-one lessons. So part of the expense can be explained by this fact.

Next, I consider the extensive training and expertise and experience of my instructors. They, too, have poured literally thousands of hours and dollars into their own dance training. Their education, just like that of other professionals such as doctors, lawyers, and pharmacists, is extensive and expensive! It’s just that their process looks different and doesn’t take place in a traditional college or university most of the time.

I have to say, that at the going rate, I consider Ivan’s rate to be a steal and I am more than happy to pay the monthly fee at Imperial for the group lessons with Inna. I have garnered great value from my money and time. So for me, even though I’m like, ugh! I wish things were less expensive overall, I am grateful to get such a comparative bargain. I feel like my ballroom dollars go a long way.

Also, I will mention one caveat here – there do exist different levels of experience and expertise when it comes to instructors. Some are worth more than they charge, and some charge more than they should! Certainly an important consideration on where to spend your money will be the level and experience of your instructor. The same $75 can buy you a varying degree of value! Make sure to do your due diligence and research your options before committing to an instructor – especially if you have to purchase a package that will entail multiple lessons with that same person.

Okay. So the process of becoming a professional dancer is expensive. Just like the process of becoming another traditionally recognized professional is.

But still, what about competing? Why is that an astronomically expensive prospect?

Okay well, on some level, that makes sense too.

First off the “daily fee” for an instructor.

I’ve heard variations from $180 to $25,000 per diem cost. Why? Well, because a dance teacher’s income is dependent upon lessons. If a person is gone say, from Thursday through Sunday, as most competition schedules would have you be, then an instructor misses out on all those lessons that would normally take place on those days. Which days do you suppose have the highest volume of lessons? Well, Thursday through the weekend, of course…that is when most people have spare time, right? And as for the variation in daily fees, that has to do with how highly ranked the professional is, how many lessons they generally conduct, and how much individual lessons cost….

For instance, in practical terms, let’s do some theoretical projections.

Say a person charges $75 per lesson and they teach 6 lessons a day…that’s $450 in lost income for each day they go to a comp.

If a person charges $100 per lesson, and teaches 10 lessons daily…that’s $1000 in lost income for each day they go to a comp.

So I, in theory, agree with the daily fee idea because it makes a bit of sense. However, as a student who bears that burden of making up the difference, I do find that it makes the decision to compete a bit harder.

I mean, to be able to afford an extra $1000 per day after also paying for airfare and hotel lodgings, not to mention $45 to $50 or perhaps even more per heat, and also considering the cost differential for scholarship rounds and solos…sheesh! It is a lot to take on. And that doesn’t even take into account purchasing or renting a dress or getting your hair and make-up done, the nails, the nylons, the shoes, the eyelashes, the spray tan.

And by the way, why are individual heats so costly? $50 per 1.5 minutes? WTH?

From what I understand, the cost is made up of two fees: the fee for the competition, and the fee for the instructor. The fee for the competition is usually around $35 to $40 and then the fee from the instructor can range from $15 to $25 or maybe even more, depending on the caliber of the instructor. So this means that one dance could cost $45 to $70 or more.

I honestly don’t know the exact rationale behind these charges, but I’m sure the cost associated with the competition covers the sunk costs: hotel space being used, the DJ, the staff, the adjudicators, etc., which can’t be cheap!

But no one really breaks down all the fees, usually. I think what normally happens is that students are presented with a lump sum. Some instructors may split the costs of housing and lodging and transportation between students if more than one goes, but I think it is possible that they could still charge separate daily fees, or also divide that cost up and share it among multiple students. But even so, it is pretty rare to know the details of the total bill.

And of course then there are the packages at the comp. Packages cover nights in the hotel, some meals, and tickets into the ballroom sessions. So even before you dance, there is a basic fee just to be present. Then it gets more expensive the more you dance.

By looking at the bill, as a student, you may then wonder at the cost and ponder why, if you are paying so much, your instructor isn’t a millionaire, already? I mean, most professionals can’t demand $75 or more for less than an hour! That is significantly more than I make as a pharmacist!

I certainly don’t have all the answers here….but here are my thoughts and guesses. First, maybe the instructor is making a good living. They have what we students want and are willing to pay for. But the volume of lessons can vary considerably. People move, or get injured, or only take lessons to prepare for their wedding. People switch instructors. The turnover in students can be very high. An instructor’s schedule may not be completely booked solid. Even at $100 per lesson, if a pro only teaches a few lessons a week, it could be hard to make ends meet.

Next, most pros are going to want to continue to hone their craft. This means they have to pay to be a student! Whether through videos or workshops or coachings, they must pay, often at an even higher premiums for high-level coaches than students pay, to participate. For especially well known coaches, this may also include hosting the coach locally – paying all traveling and lodging expenses plus showing the coach a good time.

Then, if the pro competes professionally, they have to pay the entry fees at the comp. I have no idea the pricing on that, but just like we amateurs, they have to have the clothes, and hair, etc. plus, they generally compete more frequently than students. They have to hoof it week in and week out. They have to pay all the costs associated with competing and if no students participate, they bear all that financial burden alone. Also, they must continually change their image. It may be okay to wear a dress a few times but no more than that. The pros have to maintain the illusion of effortless glamour and grandeur and this means new dresses, different hair styling, and a different “look” to keep things exciting.

I personally own just one dress and it cost more than my wedding gown. To imagine having to obtain a new dress every few months, with all it’s fringe and crystals and sequins, is a daunting prospect.

It makes me wonder if there is still a hidden agenda to keep ballroom “exclusive” meaning that only those in the upper classes can participate in it. I’m just sayin’ that ballroom dancing is not very accessible to the general public, the hoi paloi if you will. And that, I personally believe, is a shame.

I wish ballroom were more available and accessible to anyone who had an interest regardless of their socio-economic standing.

I suppose that if a person were truly and deeply motivated, they’d find a way to participate in this sport – however, the price of playing, even at a novice level, makes the chances of someone casually engaging in this particular craft pretty darn slim. And that is too bad. I’d like to see people have more options and access, at least at the beginning levels so they could discover if this was something they’d want to pursue. (For the purposes of this discussion we are only considering competitive ballroom. Yes, there are less expensive ways to dance such as doing Amateur only events or social dancing or taking classes at the local community college. For many people this works great. But for others we want that competitive experience.)

So anyways, competitive pro/am ballroom isn’t for the person without some expendable income. I personally just accept that this is the price to play as a participant in the ballroom game. Whether I agree with the fees, or not, to do this particular activity, I must pay in dollars what I must pay. I mean, every moment is a choice and every choice has prices and benefits. I guess, for me, the benefits outweigh the prices, even at $75 or more per 45 minutes. If you’ve read my blog you’ll probably be able to see the value I’ve garnered from my interactions and many times there is no dollar amount that could possibly be assigned to what I have gained.

So what is your take on the sensitive issue of money in ballroom? How does it affect your decisions to participate in various activities? Do you think it is worth the cost?