Radomir Pashev | Beautiful Girl In The Ballroom

Okay folks, I’m tired and there is so much to say about the last two days of Dance Camp and the New Year. I promise another, more detailed post will be forthcoming with multiple pictures, dance tips, and maybe even some video.

But there is one experience I am burning to share! It was just too cool and makes me giggle so here goes….

First off, here is a photo of me an my new instructor:

JUST KIDDING!

Do you honestly think I’d EVER want to dance with anyone other than Ivan. Exactly. You are right. Not gonna happen in this lifetime.

But over the last weekend, Radomir was one of the excellent instructors at the dance camp and I honestly really enjoyed his sessions. He is a technically excellent dancer, extremely disciplined and pristine in his movement, but he is also a pretty darn good teacher and communicator. He brought a gentle warmth and humor to his classes while at the same time explaining the mechanics of steps. In any case, he’s kind of a big deal and as an instructor and professional competitor, I, being a student, of course look up to him.

Well, in the East Coast Swing class he taught, he introduced this one twisting move. Imagine doing the actual “Twist” like from the song of the same name by the Beatles. The extreme twisting action of the upper half of the body and the lower half.

In any case, after he had showed us this move in a series of steps of choreography, he stopped the class and told us he wanted it not to be so prissy, but rather “down and really dirty.” I think he expounded upon this even more but I couldn’t hear what he said because we were all laughing with embarrassment so heartily. Once he realized how he had come across, he started laughing too, but still the intention behind the move was there. He did want us to get low and feel the sultry, earthy quality inherent in the movement.

Now here is where it get’s really interesting. He looked me right in the eye and said, “Let’s show them how it’s done!”

OMG! LOL!

So he invited me to demonstrate to the class how to do this twist action “Down and Dirty” but first he explained the incorrect way of doing it…He began to panomime the same actions in a very repressed, shall I say “English-stiff-upper-lip” fashion and invited me to play along. I did and we performed the step stiffly and unemotively. He likened it to one of those middle-class gentry English dances done in the countryside at the turn of the century. We raised our hands and circled one another as if we were doing a courtship dance in the movie “A Knight’s Tale.”

But then we went for it! We twisted and we got low and we shook our katukus’ (katukasi???) Well, we shook our behinds like no kidding and it was awesome and he even gave me a high five when we finished.

You know, I think for me this was the best moment in the camp. It was just so cool to get to go to “the head of the class” with a professional like Rado and totally rock it. I danced with him a few other times for brief moments in other classes and always screwed up at least a little bit. But still, this kind of made up for it. It may sound silly, for me it meant that I had the ability to excute this move, so much so, that even being the biggest girl in the class, I was the one to demonstrate it to others. I felt acknowledged and I also got to share my enjoyment of doing that particular move.

In any case, that’s my short story! I want to say Happy New Year and that I’m looking forward to what 2013 will bring. I’m grateful to still be dancing and blogging. I wish you all the very best during our next orbit around the sun and I just wanted to share this little tidbit even if I don’t have the energy and patience just now to fill you in on all the other cool things that happened at Dance camp over the last two days.

Cheers!

Love, Stef

Well folks, it’s been a busy few days what with the holidays and all. I’ve worked 14 days straight (minus Christmas day) and now I’m due for a little break! Like I said, I did get Christmas day off, which was wonderful, but ended up being exhausting to make up the necessary overtime. I also participated in the 12th annual family pinochle tournament and came in 2nd place!

But even more amazing than that are all the discoveries I’m continuing to make with my dancing. It’s been kind of slow going with Imperial closed and ballet off the docket during the holidays, but since Ivan is independent, when he’s been available, we’ve caught a few lessons before I went into work yesterday and today.

Honestly, I’m so tired right now because I had an insomniac night last night waking up at 1:30am or so and not falling back to sleep until 4am, needing to get up at 5am to meet Ivan for our 6:30am lesson. This means, especially after 9 hours of work and the 1.5 hour commute, my mind is jumbled. The perfect time to write a blog post! LOL.

But I wanted to quickly process what we covered so I don’t forget it and also to say that tomorrow is the Ron and Karla Montez Dance Camp and I’m super excited to get to go for the next three days, culminating in a gourmet dinner and dance party with a champagne toast to kick off the new year. The schedule looks very juicy but I’m not entirely sure who will be instructing. Originally Bree and Decho were part of the staff but it looks like maybe they are now not participating. Ron and Karla will be there of course, and also possibly Radomir Pashev and Linda Dean as well as Jim and Janelle Maranto. We’ll see. I’m planning on going with a notebook to write down as much as I can and I’m sure there will be much to share after 3 full days of classes!

But back to what Ivan and I have been working on, well, it’s the basics, really. But I’m coming to experience them in deeper detail and the most exciting part is that things are changing, for the better I think, in my dancing. For instance, yesterday a lot of the lesson was spent on connection. It’s something we talk about and work on a lot and I wouldn’t have it any other way. It’s like somebody can tell you the same thing 500 times and the 501st time you finally get it. Well, I had one of those experiences while doing a fan in the Rumba. In all honesty, it made me tear up a little bit!

So the thing is, that if someone was looking from the outside at what we were doing it wouldn’t probably appear any different from what we always do. But from the inside out, it felt completely different. I don’t know if I can truly explain the experience, it has so much to do with feeling and that nebulous concept of “energy” that we dancers hear about. Like Debbie Alvarez told me that I was allowing my “energy” to leak out behind me instead of directing it toward Ivan, my partner, on the fan. I “get it” but I also don’t entirely “get it” since I can’t execute utilizing my energy properly all the time. In any case, what happened was that I felt the connection through more than just my arms, but through my entre upper body, transferring into my hips and legs. It was a feeling of…simply put….presence. Me being present, integrated, whole and entire through my body and arms. Usually my arms end up being somewhat disconnected from my body which is probably why arm styling tends to be such a struggle for me. And it was beyond even the arms. The connection itself was intangible yet palpable. I would have been led and responded even if we hadn’t been touching physically.

This connection thing takes a while to feel, and then it is about being consistent and constant with it, whether in hold or not, being in partnership with the dancing partner and not having dead spaces whether energetically or physically, no moments of withdrawal. The moment I drop my guard, the moment I lose concentration, that is the moment that I miss the next signal and the wheels begin to fall off. Then there is a moment of overcompensation and pushing hard to reconnect. I mean, I can feel the difference when I’m really present and really paying attention so I know (theoretically) what it should feel like, but my habits run deep, not to mention the myriad of things I’m thinking about on every single step. But when I manage it, connection is the magic peanut butter in the sandwich called ballroom dancing, what holds it together and makes it so delicious!

But yeah, it’s difficult with all there is to manage when dancing. In fact, I was pondering this idea today – the idea that Ivan probably has no idea all the things I’m thinking about when we are dancing together and it’s really hard to just be present when I’m trying to remember the new step, the correction to my arms, the timing, the expression, how we tweaked this detail and that detail. It’s a lot!

But no matter! I’m addicted! I love it. Which is what caused me to go to another lesson this morning in which I had more discoveries and breakthroughs. First we worked on rumba walks. It’s not like I’ve done them badly all this time, it’s just that there is always more possibilities for movement. We broke it down and worked on it for quite a few minutes and then I began to discover how to do it in a totally new way which fills up more of the music. I tend to try to hit lines and thus get stuck as well as throw myself off-balance. I discovered that I was putting my hip into its final destination straight away instead of stepping forward with hips square, then raising the back hip, then twisting around my spine, and finally settling onto the standing leg. I began to get the hang of it, which is encouraging, however, it will take a lot of conscious practice to change my muscle memory so that I can do it automatically without thinking. But I’m excited with the possibilities.

I have the same problem going into a fan step in Rumba. I would immediately hit the final swivel position with my hip and have nowhere to go. I knew that I needed to melt into that final position but couldn’t figure out how to actually do it. Well, the change in the Rumba walks helped with this issue as well. Instead of immediately twisting my hips when switching my weight on count 2, I stopped in the middle and then could melt with the twist. Magic! I swear! I feel more and more like a “grown up” dancer when I discover these details. It’s exciting!

I guess that’s the main idea of what’s been going on. I must say that I can’t wait for my schedule to normalize a bit and to have my weekly ballet and Advanced Latin Group class as well as to fit in some gym time along with my private lessons. I have big goals for the new year and I’m looking to compete in May. I can’t wait to dive in with increased activity levels, as well as my new job training, position, and work schedule. It’s going to be a few weeks of transition, but even so, at least it will be better than the craziness of the holidays.

I’m hoping I’ll find the time to write some about my dance camp experiences but who knows how much time I will have so if I don’t get to it until after the New Year, well, Happy Holidays and Happy New Year! Thanks for being a part of this experience along with me. The blog has been live for just over a year now and I’m thankful for every person who has ever read any post or made a comment or even become my friend! 2012 has been an interesting year, but I think 2013 is going to provide even more opportunities for growth, discovery, and connection. I’m looking forward to sharing it all with you!

-Stef