Like Potatoes

Maybe the case is the same at your studio, too.  At mine, everyone is at Beach Bash.

 

A Grande Batata

By FelipeFronchetti (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

Why that’s important for this story is because my regular teacher, Kristijan, is out-of-town, gracing the floor in Latin probably right about now.  Maybe if you are at the competition you will get to see him dance, as well as a few people from EuroRhythm and more people from Arizona that I’m friends with, some of whom will be performing in the Showcase Fundraiser that’s happening next Saturday, April 16th to raise money for a local domestic violence shelter here in Phoenix called Chrysalis.

In any case, because Kristijan is out-of-town, I had a lesson with my old pal, Damir tonight.  It reminded me that I should make sure to schedule a lesson with Damir maybe once a month or so because what he offers me is so different and helpful and refreshing from what my other instructors, as wonderful and as contributing as they are, can provide.  I marvel at how tiny adjustments made internally make such a dramatic difference in how my movement looks and in how stable I feel.  I am even more surprised at how Damir can tell when I’m “on” and when I’m “off” even when we are talking differences in millimeters or where the pressure is in my foot (like inside edge, or not).

I got in the studio and we caught up a little bit because it’s been a while since I’ve had a significant chunk of time to chat with him one on one.  He asked me how he could help me on the lesson.  Originally I thought maybe I’d learn the Sweetheart step in Gold since it was so completely baffling to me when Shirley Ballas taught class, but then I thought the better of it.  I’m in Silver right now, after all, and learning a step is just learning a step.  I could probably find a video on Facebook if I wanted to learn it badly enough.  More valuable, I decided, was discovering how to be over my hip.

I’d discovered in previous coachings that my hips were not where they should be, especially when stepping to the side.  I have very flexible hips which is an asset and a curse.  The asset is that I can emphasize certain movements in an exaggerated way.  The curse is that I tend to move them too far forward or laterally, or even to prematurely settle backwards because I have the possibility of such freedom of movement there.  But when I do that, and it’s not intentional, I’m not exactly on balance, I’m late in timing, my movements aren’t as coordinated as they could be.  What I wanted to discover with Damir was where it was they should be optimally in a front step, side step, and cross over, so that I could feel it in my body and recreate it later.  I am definitely a kinesthetic learner when it comes to dancing.  I can see things in the mirror and recreate them up to a point, but it’s the internal stuff that you can’t visually see that eludes me.  This is why it is so incredible to have a coach like Damir in my life because he can describe these internal movements and energetic intentions and see them and provide me feedback around them.

What was also so great was that Damir began talking about the Chakra system in relation to the dance movements we were doing.  Most instruction I receive is structural in nature, speaking to the physical body.  It helps me, personally, to have the energetic perspective as well.  Damir talks about where to place my focus on various moves so that my body is then in the proper position.  For instance, for me, I have to focus on the back of my knee, the back of my neck, basically the back side of my body even as I move forward because if I don’t, I will fall forward and create a big mess.  For other people it might be opposite, but I tend to try to get ahead of the dancing and keeping my awareness in the back of my body helps me to actually stay present.

So we began simply and Damir described that what to do was to have the iliac crest of the hip directly over the ball/toes of the foot.  Then before moving, think of the crest going up and under, which also causes the pelvis to become more tucked under, before continuing the motion.  I’m to imagine that my hip bones project all the way to my armpits, they are that solid into the floor, compressed by the ribcage and scapula.  This seems to keep me in better alignment overall as well as to create a gooey, rich movement that doesn’t stop but continues to cycle throughout the body until it comes to the time to take the next step.

Tonight I actually felt the complete cycle internally from step, through the hip, upwards compressing into the spine, then to the lat which perpetuates coming onto the standing leg fully and pulling the moving leg under the body.  It’s all connected.  There were no gaps for the first time that I am aware of from foot one through the leg, hip, the entire body up the spine through the lat and back down in reverse to foot two.

So why, you might be wondering, did I title this post Like Potatoes?  Well in his description of this cycle, especially the part that we were grappling with in terms of the hip and pulling it under the ribcage before moving, he told me this analogy of planting potatoes.  He laughed, admitting that it was probably the craziest metaphor I would hear, but said that if during the winter you eat all the potatoes you have, you will have nothing left to plant come spring.  He said that the general rule is to save about 10% for the future planting.  In dancing, he contested, it is the same.  Conserve about 10% of motion to continue into and thus generate the following movement.  In this case, get on the leg, get the hip over the foot properly, then use the 10% energy left to go up internally into the body to generate the following step.

So there’s that, and also, it ties to something else that’s been happening in my life.  For just the last 3 days or so I’ve been eating vegan.  I’ve been saying that I’ve wanted to eat a more plant-based diet for a long while now, and for Christmas I got a book called “Thrive” which has a bunch of recipes and was created by a guy who is an elite athlete.  I’ve tried a few dishes here and there but for whatever reason, I went to Whole Foods last week and was completely inspired by all the gorgeous produce.  I bought a bunch and then proceeded to make a variety of recipes from the book.  I had plenty of each so I’ve been grazing from each of the 6 to 7 dishes I experimented with.  I discovered that the food prep for the vegan stuff is no more intensive than it was for when I was working with Chelle the nutritionist.  Also, and this is really surprising to me, I’ve felt more satisfied, fuller, less hungry, and have had no cravings whatsoever for meat or anything else, eating this way.

I made kale chips and a garlic broccoli mix with garlic, rutabega tiki masala, a carrot based “pizza” that tastes nothing like pizza but is very filling, Brussel’s sprouts with a Dijon sauce, roasted beets with a balsamic sauce plus fake cashew-based cream cheese, not to mention a variety of shakes with lemongrass, carob chips, cocoa, agave nectar, vegan vanilla gelato, coconut water, almond milk, banana, and cashews.

It’s been so easy to eat this way, I’ve surprised myself, and I’ve even packed my meals tomorrow as I go to a seminar for the entire day.  My body is still adjusting in the gastrointestinal department – it’s a lot more fiber, I think, than I’m used to, more veggies, of course, and maybe it’s too much info, but of course adjusting your diet adjusts how often you have to go, which seems to be a lot more.  I’m hoping things will stabilize as I continue along.  It’s a small price to pay for feeling full, satisfied, and like I’m eating fresh, healthy food, having no cravings, and sincerely enjoying what I’m eating.  I tend to think my body is getting tons of nutrients as well which is maybe why I feel like I’m actually eating less food overall while feeling more satisfied.

With this unexpected ease and success, I’ve decided to explore more options for vegan cooking.  So tonight I went to the store and bought ingredients for vegan gnocchi, which, if you didn’t know, is made from potatoes.  So there you go, it also relates to the title, even if circuitously.  Who knows if this will affect my body shape, size, or lean and fat mass content.  But what I do know is that the experience of it is satisfying and supports me right now and I like being aligned with the idea of not eating animals.  The funny thing is that I truly have told myself that nothing is off the menu.  If one day I decide that it is the time to have a Twinkie, then that is alright as well.  But I don’t even want a Twinkie eating like this.  I cooked up some Swai fish during the food prep as well in case I felt I needed more protein or whatever and I have as yet had no desire to even eat that.  We’ll see what happens but for now I’m going to play and experiment.  I’m going to find other recipes that sound good and give them a try.  I bet eventually I will find a routine that works well for me.  I would say it would be balanced for me to eat this way 80 to 90% of the time then allow some space for grace and enjoying social events, or special treats or whatever.  But so far I’m feeling anything but deprived.  I could easily skip traditional party food feeling this way.

So that’s what’s going on in my world.  Please check out the Ballroom Village page on Facebook, join it, share it with your friends, and post links to your blog when you write something new.  You can also share the page and any links on your Facebook page or on the blog.  Whatever you want to do to promote it.  I hope it will continue to grow and create another, expanded platform for us to be in community, share, and nurture our Ballroom Village.

That’s it for now!

 

 

Ballroom Village

Hello Ballroom Village!

I have created a Facbook Page for us.

My vision is that it is a page where you can put a link to your latest blog posts so everything is consolidated and easy to find and share.

Here is the link for  Ballroom Village

https://m.facebook.com/Ballroom-Village-214569888727391/

I also believe you can just search for Ballroom Village on Facebook.

I’ve invited the very few of you I am friends with on Facebook. Many of our community write anonymously but I figure you could still follow the page and we’d be none the wiser about your true identity matching up with your online dance persona.

We need a cover photo. I was thinking we could change it every month to feature a different blog in the Village, or maybe someone could take on creating a design for it?

Please invite your readers to follow the page as well as any bloggers who you know in the Village. You can post links to your latest blog posts starting now.

I put a link to my latest post as well as Facing Diagonal Wall, Breast Cancer Ballroom Dancer, Full Tilt Diva and Girl With The Tree Tattoo. I will continue to add links to other Ballroom Villagers just to get us started. Then, after each new post you write, or if you find something dance related or inspirational that is apropos, share on the page.

I’m open to suggestions about how to grow and best utilize the page. I hope it continues to inspire expansion, connection, and communication among the Villagers as well as to expand our collective audience.

Just Call Me Stefan

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It all started because I was fortunate enough to be at a studio that offered coaching and group classes with the famous Shirley Ballas.  I mean, my dancing may not be at the forefront of my concerns at the moment but I wasn’t about to pass up the opportunity to learn from a living legend.

Thursday we covered Rumba and Friday night was Cha Cha.  It was strictly from the book, I mean the book…The International Dance Teachers’ Association (IDTA) Technique book.  The one that breaks down each step into its components and describes how each piece can be strung together to create the step.

For instance, did you know there are 7 types of Rumba walks?  There is a forward walk, backward walk, checked forward walk, forward walk turning, delayed forward walk knee either straight or compressed and a delayed back walk.  We also learned how to do Alemanas 3 ways and the 9 ways to chasse’.  We strung together moves to make a basic practice choreography including a checked forward walk, open hip twist, fan, hockey stick, Alemana, sliding doors, cucaracha, spiral turn, and a hockey stick back to the beginning.

But here’s the kicker, she had us switch from leader to follower, so boys danced the girl part and girls dance the boy part.  That sure put a new spin on things!

It became clear to me that one of the areas in which my training is supremely lacking is in the knowledge of the counterparts of the steps I’ve been practicing for so many years.  It’s an interesting situation because I believe kids trained in Europe learn both parts from the get-go, whereas in the US with our Pro/Am situation, most students rarely if ever learn the opposite steps.  I felt quite inept and almost as though I’m a 12-year-old in my development as a female/follower dancing while a 2-year-old as a male/leader dancing.

There were parts of the class where I was utterly lost, especially when she had us doing gold level figures as the opposite part than we usually dance.  Heck, I was even lost as the female part for some of them, too!

I’ve often thought it would be good to learn the “boy” steps for a deeper level of understanding and mastery of the material but it never seemed to be a priority, especially when preparing for competitions.  Well, that has changed.

On my next lesson after the workshops I told Kristijan that I wanted to learn the boy parts.  I told him it was obvious my education was lacking and incomplete in that area and I felt that having a better understanding of what my partner is doing would ultimately make me a better and more aware partner.  He was happy to oblige and now we’ve had 3 lessons where I’ve been learning about all that my leaders have been providing as well as getting a new perspective on the lead and follow energy dynamic.

The best part is that I am having so much fun with it.  Each lesson has come with insights and breakthroughs.  I’m being challenged to move my body differently than it is accustomed to by habit, which also results in using what feels like a different and new part of my brain.  It occurs to me as fresh and new and a process of exploration and discovery.  It’s just what had been missing in my dancing as a girl.  I was stuck in a rut, feeling like I was at the mercy of all the years of muscle memory and dancing like a robot rather than truly being present.

I am learning about how the man has been responsible for the space we occupy, not only in how he holds a frame for me, but also in how he generates facing the different walls of the room appropriately.  These are things I’ve taken for granted because I’ve never had to be the one to create them.  In addition, I got to experience the opposite piece of the energy flow I normally experience as a follower.  What I mean by this is that normally I am attuned to be a “catcher” of the impulse given to me by the leader.  I’ve only ever experienced one side of the current or loop.  Now that I’m practicing being the leader, I’m the one generating the initial impulse that I send or “throw” to the follower.  I see how the follower absorbs it, is responsible for moving it through his body, and then sending it back to me transformed.  It is like an infinity loop and now my experience of it has been expanded.  I have greater appreciation for my leaders and gratitude for all they have been doing all along that I was so unconscious about.

Playing around with this role reversal has opened up many possibilities in my dancing and I’m loving doing it.  My goal is for our showcase in October to dance a piece where I am the leader for a large portion of the choreography.

And what’s even cooler, as Kristijan coaches me to be a better leader, when we switch back to our traditional roles, I can feel a marked and improved difference in how he leads me.  It’s as if in coaching me he is coaching himself and thus providing and even higher level of leadership.

In sum, just call me Stefan.  I recommend giving this experiment a try to anyone who is interested in elevating their dancing. So far it’s been amazing.

Approaching Dancing Newly

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I’ve discovered that for me it is time to completely reboot my orientation to dancing.

In case you couldn’t tell, I’ve been in a bit of a downturn lately.  There was a period where I was not dancing at all.  Nor have I been exercising regularly.   I’ve come to consider this a wash-out period, like in experiments when between treatments they will have people stop taking anything for a few weeks before trying an alternate treatment so the previous therapy doesn’t influence the results of the alternate therapy.

It’s truly fascinating to watch how dancing and its place in my life has evolved.  Originally it was a completely urgent obsession.  I just knew I couldn’t live without it, that it was a non-negotiable in my life, and, I was driven to achieve results.  Now, it doesn’t have the hold on me that it once did, but in that shift away from needing dance desperately it has paradoxically freed me up to create anew my relationship with dance.

I realized, if I was honest, that I had been sucked in by the glamour of the dancing world.  Also, praise and attention garnered from dancing were potent, almost addictive “juice” to my ego, which so badly needed validation.  Only problem is that depending on external approval and praise leads to seeking it.  I became so concerned with not making a fool of myself, being worried about looking good, and feeling pressure to be exceptional with the level of my dancing so that I wouldn’t be considered a laughingstock, that I was unable to genuinely enjoy what I was doing.  I failed to be truly present and I failed to savor dancing for the sake of dancing, exactly how it is and exactly how it isn’t.

I’m now present to a new openness, a new space to express myself more authentically.  With Kristijan, we’ve been working on “just dancing” and my, what a relief it is!  Ivan and I also agreed to “just dance” for now.  No competitions are on the horizon.  I want to discover ease, fun and play in my dancing, which is probably the exact opposite way of being that I had used before to try and power my way through.  Now it’s about surrender and release.  Now it is about connecting and being so present with my dance partner in the moment that my mind is silent, that there is nothing else in the world to attend to but what I am doing right then, and it is peaceful.  The mind is  quieted and all there is is experiencing the very step I’m taking, the muscle that is contracting, the points of pressure below my feet into the floor, the signal from his hip to mine that it is time to move.

I’ve never felt more secure and free in my dancing, ever.  It’s now become about me expressing myself, nothing more and nothing less.  And I find not only is it easier to move, but also that there is a richness and a fullness that had been lacking when I was so consumed with getting everything “right!”  I’m choosing to now give myself some grace about how human I am, and this will serve me well as I rebuild myself into a dancer who desires to share her art in performance once again.

I have a way to go!  My cardio capacity is nowhere near where it was nor where I’d want it to be to perform publically.  I’ve put on weight, which doesn’t help the situation.  My diet has been erratic as have my sleeping patterns.  This is what’s so. And, I’m committed to getting myself to where I desire to be with joy, fun, play and ease this time around.  I’ve tried and I’ve tried, I’ve pushed and I’ve worked hard, and I’ve even created some results while practically forcing myself.  This time I wish to abandon the struggle.  I’m even willing to surrender the idea that I will ever dance again in a competition.  I’m willing to surrender the desire to change my body at all.  I’m willing to be in 100% acceptance and peace with what is so, right now.  Now that’s a new way of doing things in this area of my life!

So for now, I’m just dancing.  And I trust the process.  Even as I surrender the need for anything to change externally, I am committed yet unattached.  I have an inkling that applying the same space that is serving me so well around my dancing will serve me in my other goals in life, especially concerning my health.  I choose peace, joy, and acceptance.  I reject struggle, angst, and willpower.  At the end of the day I believe it comes down to trusting in a higher power than my small self that can see the bigger picture that I am blind to as I focus myopically on self-centered problems.  Really there is no problem at all, except perhaps my perception that anything is a real problem.

I feel lighter, even as my body appears larger and more fluffy.  Even as my cardio is clearly out of whack, with the lack of internal resistance to it and without the need to label it as hard, difficult, or unfair, it is miraculously easier.

It reminds me of the use of oppositions in dancing.  When moving forward, I think of my back leg and stay in it as long as possible until I’m over the forward moving leg.  I delay as long as possible in a delayed forward step to generate speed in my alemana.  Like a bowstring pulled backward to generate the arc of an arrow, I find that in my dancing, for it to be stable, comfortable, rich, and full, I often must mentally project my energy in the opposite direction of which I am physically moving.  If I think about moving forward and project my energy there while I’m physically moving forward, I am off-balance, it’s chaotic, it’s uncomfortable.  I think that’s what I have been doing with my goals around my body…constantly striving and pushing and forcing.  Now it is time for balance – it is time to take practical, consistent action in alignment with my goals while doing them in a spirit of joy, enthusiasm, peace, and love.  There is no magical thinking here to sit back and let God handle it…but there is a new willingness to take the actions I know to take, letting God guide the process, realizing I don’t have to do this alone, and actually I have been completely unsuccessful doing this alone.  It is insane to continue to perpetuate old ways of being.  Time to try something new.

Ohio Star Ball

I’ve been hiding out.  Well, that’s not entirely true.  It’s been an interesting couple of months so I have a lot to share to catch you all up to what is happening in my life, and my dancing life.  Yep, you can expect a very long post.

First off, welcome our newest Ballroom Village member, Rob, from Musings For Ballroom Beginners. Looks like he offers advice for ballroom beginners in the Boston area so check it out and thanks to Katie from The Girl With The Tree Tattoo for hooking him up to our little community.

It’s been a while since I went to Ohio in November.  It was seriously cool to be there and to check a few items off my bucket list!  If you recall, I was invited to participate in the Best of the Best (So was our friend Katie and it was such a bummer she wasn’t able to come.  I can’t wait to meet her in person and I was definitely thinking of her as the day unfolded).  This was unexpected especially since I hadn’t competed for the better part of the year and just did Galaxy since it is a local competition and a nice re-entry into the dance world.

The deal was that since I won my scholarship in Bronze and then beat other scholarship winners I qualified to dance at Ohio in a 90 second solo using only Bronze figures plus up to 5 figures from the Silver level.

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So here is a picture of the poster of all the competitors and a video of the routine I did with Ivan.

I did not place well in this event, nor really in any other heats or scholarship rounds.  In this particular event I was rated highly by all judges but one who rated me inordinately low such that it knocked me out of the running for a placement.  It’s odd that there was just one outlier but it goes to show that it is important to connect with everybody and I guess I still have room to grow, and/or I should go to the competition owned by this particular judge lol.

I mean, really I shouldn’t have been shocked by my poor performance in terms of results.  I had been to exactly 1 competition for the entire year.  I hadn’t been seen and it was a bold move to go to Ohio after such little preparation.  Ohio attracts a lot of high level competitors so it’s already on a higher level than many other competitions.  I think I made it to finals in 3 of my rhythm rounds but other than that I didn’t even make semi-finals for many heats.  At first I wasn’t phased by it.  I was just excited by the fact that I was actually living the dream – so many people wish to go to Ohio and some people never go.  Also, I was with my friend Mytia, I had other friends from EuroRhythm there, I had Ivan and Marieta there and Damir.  I saw many friends and lots of great dancing.  So even though we didn’t place as highly as I would have liked in the Rhythm rounds, I was mostly focused on Best of the Best which was my reason for coming in the first place.

It was such a special opportunity I didn’t want to pass it up.  To get to do a solo on one of the largest competitive stages in the country for amateur ballroom dancers might be a once in a lifetime thing so even though it totally caused me to overextend financially and I didn’t necessarily feel totally prepared, I knew I had to be there.

I’m really glad I had the presence of mind to take a moment right before we went on the floor to look Ivan in the eyes, give him a hug, tell him that I love him and appreciate our partnership, and to be grateful for the opportunity to be there doing this.  So we danced and then I watched all the other dancers and some were really good and some were less good and it was interesting and fun to be a part of it.

Then I made a fatal mistake!  I thought, “Maybe I have a chance of placing!” In this one thought, I generated an expectation and when there is an expectation, no matter how subtle, there is also disappointment.  If only I could have stayed in the space of gratitude I would have been fine.  But with that one thought a death-spiral ensued that led to a pretty big melt-down during my Latin rounds the following day.

I mean, it wasn’t all doom and gloom!  There are some really neat events at Ohio unique to this competition.  Besides Best of the Best, there is also Team Match, which some of the best dancers from each region in the US are invited to compete on a team representing their particular region.  Each couple dances one dance against other regions in the same style and then the region teams earn points for first, second, and third placements.  It’s a real party atmosphere, relaxed, and very fun to watch and cheer for.  There are noisemakers provided to the crowd and the regions dress up in moustaches, wigs, vests, and hats in the color that represents their region.  Ivan danced with another one of his students in the team match but alas, my region did not win.

Also excellent were the professional rounds.  There is an amazing energy when so many professional couples are on the floor together!  They danced like 4 or 5 rounds, and the floor was completely packed.  Also totally cool were the showdances!  They were lots of fun and very creative.  I even got to see Yulia and Ricardo in person which I’ve always wanted to do, and even got a picture with them!

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Can you believe it?!  You’ll also probably see me in the audience on TV if it is on PBS this year.  I was in the very front row, right on the dancefloor.

But anyways, after the disappointing results in Rhythm and Best of the Best I was less than enthused to dance my Latin rounds.

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It’s weird. Normally I’m nervous, and especially right before going on the dance floor.  Before these particular rounds, however, I was too grounded, too calm, there was no joy or performance quality inside me.  There was only the worry of dancing it “right” and “looking good/not making a fool out of myself.”  But with that attitude, I did not dance my best and my instructor and coach Damir was honest enough with me to tell me so.  Worse than that was that I freaked out after it was complete.  I was surprised to hear things come out of my mouth like, “I don’t belong on that dance floor.”  And, “I’m not good enough.”  My confidence was shot and I thought I was over that.  I got a reality check that there is still more confidence for me to own and grow into.  I mean, the positive side of all of this was that I got direct feedback of exactly where I was and exactly where I wasn’t.  You can’t know until you actually show up and act it out, no matter how you imagine you might show up and how things might go, you never really know until you are in in it.

So it was nice to see some friendly faces from home and to know that people who knew me believe in me. Bree invited me to come work with her to really get clear on a few things with Rhythm (I have yet to take her up on the option) which is an amazing opportunity. I know with just a few tweaks I will be that much more self-assured, comfortable, and confident, which I have discovered is what creates the space inside of me to feel safe enough to be vulnerable and really show who I am in my dancing. Otherwise I get too caught up in trying to do it well, trying to look good and not look bad, trying to be technically correct, none of which allows me to actually be present and connect with my dance partner, the audience, the music, or the experience.

So Ohio was a whirlwind, total immersion experience.  There was a lot of fun, a lot of self-created drama, and I was a bit burned out by the end of it.   I mean, it’s weird timing.  I wanted to dive right back in with dancing and handle some of what I discovered, but I had blown my financial wad so paying for lessons was a concern, and also it was the holidays.  With that comes closed studios and lots of family time.  In addition, our family had a major life transition.  My mother’s mother, my grandmother, had a stroke in October and this marked a quick decline.  She passed just after the new year.  It was a big stress on my mother and truthfully the entire family system even though I had a beautiful experience saying goodbye to her and I’m so grateful for my memories of her.

So the upshot of all this is that I basically stopped dancing for about 2 months.  I’ve just gotten back to it about two weeks ago.  I gained about 20 pounds and I’m nowhere near the physical fitness level I was before I went to Ohio.  So I’ve regressed.  Also, I’m not feeling as passionate about dancing like I used to.  It was such an urgent drive before, and now it’s more of a meditation.  Kristijan and I have been focusing on being authentic, being very present so that a true lead and follow can occur, and dancing.  I have to continue to remind myself to stay in a space of acceptance and love and joy when my monkey mind wants to go directly to attack the image I see in the mirror, the one that is larger and flabbier and out of breath.  But you see, I’m determined to be kind to myself.  I refuse to abuse myself like I used to…that does nothing but create stress.  In fact, my goal this week is to look in the mirror and give myself one or more genuine compliments daily.  I shared my intention to do this with a friend and she told me she did it daily for over a year until she stopped crying when she did it.  She said it was then that she knew she believed it.  So that’s my plan.

So if I’ve apparently regressed when it comes to my physicality and dancing, I’ve also been up to something really cool.  I was feeling a bit stagnant a few months ago so I decided to take some courses at a personal development company.  I took their entry level course, then the advanced course, and I just completed what they call the Self-Expression and Leadership Program (SELP).  This lasted for 3 months during which the participants created projects for the communities in their lives that they care about.  One of my peers created a game called Fit Chess which combined physical fitness and logic to connect people who normally wouldn’t come together, another one created a class for kids about connection and being in a community, another one created No Drama Baby Mama for at-risk pregnant women to teach them skills for meditation and self-advocacy so that all babies born would have a baseline of peace as their first experience in the world, and another created personalized bags for foster kids so that they didn’t have to put their belongings in trash bags when moving like she did when she was a kid.  Needless to say, it has been inspiring and wonderful to be surrounded by people like this who are a contribution to society and the world.

As for me, I’ve teamed up with my dance community.  With help, I’m throwing a fundraising showcase next in April that is set to raise $2000 or more for a local domestic violence shelter.  Dancers from various studios across the city will be participating and all proceeds will be donated.  In addition, residents at the shelter will have the opportunity to take a group ballroom dance class for 4 weeks and during the last week they will get the opportunity to have a complete ballroom makeover.  They will get to wear the dresses, have their hair and make up done, and get pictures.  The vision is that they will see themselves completely differently than when they were in crisis fleeing from dangerous situations.  Some escaped with just the clothing on their backs.  Can you imagine coming from that space to being dressed to the hilt like someone on Dancing With The Stars?  If you are interested in donating, or even coming (I have a friend from Texas who is travelling to either be in the event or watch it) you can check out the Facebook page I created for it here.  It is open to the public and the more money we can raise the better.

It is an interesting time in my life.  I feel like I’m starting from square one with my dancing, fitness, and weight loss journey.  My job is feeling less satisfying although I just got a raise and my performance couldn’t be rated any higher.  I’ve agreed to coach the next SELP so I will be creating another community project over the next 3 months all while helping others to do the same.  I wanted to dance in the Beach Bash in San Diego in April because I hear it is super fun, and, I’m intimidated by how much work it would take to get back into some semblance of fitness.  Where is my drive?  Where is my motivation? What do I want to do with myself for the next 20 years, assuming I get to live that long lol?  What’s next for me?

So I guess that gets us caught up though unresolved.  The winds of change are brewing.  Also, I’m unsure of what to do about my dance teacher situation.  Financially I can’t compete with both of them, at least not with my current job situation, but I love them both and they both add value to my life experience.  So that’s another issue up in the air as to what to do about that.

As I end this blog post I’m present to how most posts have some sort of awareness or lesson or discovery that I made and can share.  This time, however,  there is no such purpose.  If anything, it is even more “in the question” and unsure than ever before.

It is odd how life unfolds and how the journey often looks very different than we would have imagined it would go.  So here I am, middle aged, married, overweight, no kids, great job, feeling a bit dissatisfied, wanting to be of contribution and to be excited about life.  Things were much clearer as a kid.  The entire path was laid out before me – I knew I would go to college and probably some higher education and then adult life could really begin.  But without the distraction of kids and working from home alone by myself many hours each week I am left with just myself.  But who am I and what am I going to do?  What do I want to do?  Who do I want to be?  I thought I was a pharmacist, a dancer, a friend, an aunt, a wife.  Each role I played the part changing hats as the situation called for it.  And now?  Now I’m not so sure.  What will bring me joy?  What gifts do I have that I can give to the world?  My belief system about how reality works has been shaken lately.  I don’t have it all together, not by a long shot.  If anything I’m questioning life more than I ever have.

I do know that things must shift and dancing will most likely be part of that.  I’m glad we have created a space to share what’s going on for us as a community.  From dancers going through the process of cancer, to injuries, victories, competitions, showcases, fights with our teachers, disappointments, and sweet stories of connection and love, it is a rich landscape and I’m grateful to all of you who inhabit our virtual dancehall.

 

 

Guest Post: First Showcase Experience

Yes, yes! I know!  I’ve been a very irresponsible blog keeper, especially in light of having gone to Ohio Star Ball.  And, it’s coming.  In the meantime, please enjoy this amazing guest post from my friend Mary Beth.  She is courageous, an amazing listener, an authentic friend, and a dancer!

 

In June I told Stefanie my deepest, darkest secret and my whole life changed. But I’m getting ahead of myself, so let’s rewind a bit.

For years I’ve had a very specific image of myself as a person. I am logical, rational, and very, very left-brained. I avoid feelings and emotions like the plague. My life is ruled by organization, order, and reason. I never thought that artistic or creative pursuits were available to me while all along harboring this secret dream. This dream remained a secret because I knew (or at least told myself that I knew) that I could never be what I wanted to be. I have the wrong body type; I’m not in shape enough; I don’t want people looking at and judging me. My internal critic kept my dream hidden.

But let’s get back to June. The conversation with Stefanie started out innocently enough. We had met each other the week before at a seminar. We were chatting on the phone when she asked me the question that changed my life and brought my secret out into the open, “What have you given up on because your weight?” The question caught me off guard and without thinking I blurted out, “I’ve always wanted to dance and I’ve been looking for a hip hop class but I can’t find a place I would feel comfortable.” She then asked me if I’d ever considered partner dancing to which I quickly responded No! (All the while thinking…that’s WAY too far out of my comfort zone…I had just admitted this huge secret for goodness sake…what more did she want from me!?!!!)

She persisted however and suggested that I try a ballroom studio she knew of that she thought would be a good fit. Once again, against what I thought I knew about myself, I said sure. The next day I got a text from her telling me that I had a lesson on Friday.

With significant apprehension, I showed up on Friday and three times the week after. And another three times the week after that. Before I knew it, I had signed up for lessons and dancing became the best part of my week. I wasn’t graceful or proficient or coordinated and I was having a fantastic time!

One August day, I walked into the studio. Stefanie was just finishing up her lesson and she and my instructor “informed” me that I would be doing the studio’s showcase in October. I’m not going to lie, it took some convincing and in the end I took the confidence that they had in me that I could do it and said yes. Since my secret was now out, I began telling everyone of my initial hip hop dreams and my instructor and I decided to perform a tango/hip hop mash-up.

The showcase got moved to December (thank God!) and was just a few weeks ago. It was finally our turn and to be honest with you I don’t remember too much of it. What I do clearly remember is messing up in the middle of the tango part, making a face about it and then thinking, “I bet if I hadn’t made that face few people would have noticed.” I also remember my pants almost falling down during our hip hop part, which I only discovered as my hand brushed my leg and I thought, “I should be feeling pants right now!” As the cliché goes, the show must go on, so I hiked up my pants and kept right on going.

Despite the mistakes and wardrobe malfunction, to be honest, what I remember most from that night are my feelings. I remember feeling totally caught up in the performance and having the time of my life. I remember feeling absolute love, support, and encouragement from the audience, friends and strangers alike. I remember feeling like I was completely accepted as a dancer. I remember feeling like I belonged.

Six months ago when I blurted out I want to dance, I had no idea how significantly and joyfully my life would change. It’s not all sunshine and roses and that’s ok. I really loved dancing in the beginning when I was learning the basic steps, remembering to put my left foot in one place and my right foot in the other was right up my alley. I could think and reason my way through the lessons and that was great. And then came the more expressive parts…not only does the left foot go here and the right foot go there but the arms do this and you’re supposed to smile. During those moments, I desperately have to resist listening to my internal critic when they tell me I look foolish when all the women around me look so graceful. That same internal critic goes on high alert when I catch a glimpse of myself in the mirror or watch a video of myself. Despite (or maybe in spite of) her I keep dancing.

I keep dancing because I am a person who wants to experience and bring joy to others. I keep dancing because I have discovered and fallen in love with my creative and expressive sides. But most importantly, I keep dancing because it feeds my soul.

I thank my lucky stars every day that Stefanie signed me up for that first lesson. I am also honored that she asked me to share my experience with you. Enjoy!

https://youtu.be/Iz8bdPDyw7Y

 

Drama Queen

Tonight was rough.  Nothing happened, actually, I mean, no event transpired during my day today that would have triggered this reaction.  No, this is a reaction to the past, and it is painful.

I’m trying to wrap my head and my heart around it.  I want to understand this breakdown because I believe on the other side, there is a breakthrough to be had.  This is an opportunity to let go of something that no longer serves me.  It means there is something for me to surrender, I just have to figure out what it is and then have the courage to let it go.

So I showed up for my lesson today and although I felt pretty neutral coming in the studio, as I made my way to the bathroom, I began to feel a bit blue.  The truth is, as I got dressed for my lesson, I put on a shirt and I didn’t like how it looked on me – my body looked, to me, wide, round, not curvy, just blobby.  And don’t even get me started on my arms.  Mental sigh.  Wear a different shirt that you are more comfortable in so you can ignore the way you look.  Focusing on my body brings me no joy and I know this so I try to be as kind as I can to myself and wear things that make me feel a little bit better.  So, anyways, the point of this is that the self-judgement, criticism, and rejection had already started before I left home, even if subtly.  I tried to brush it off.  I tried to take an action to alleviate the demons and shift my focus by changing clothes.  It didn’t work.

So the conditioning that I’ve internalized saw that it had a toe-hold on my brain and it hijacked the operation.  It took advantage of the mirror in front of me, using it as a rapier to slice my heart, reminding me of all my perceived flaws, making me aware that I’m wishing that I were other that what I am.  I waste so much time and energy on this stupid spiral, I keep engaging in it.  I know, from an intellectual place, how insane this is, and yet I’m still doing it.  It makes me cry.  I don’t even want to repeat all the crap this conditioning spewed at me, let’s just say it’s exquisitely painful to look in the mirror and wish that the reflection was different.  It’s painful to reject yourself.

I mentioned to Kristijan that I felt like I was twelve years old.  This wasn’t so much about the fact that I was being emotional for no apparent reason, but rather because I felt small and insecure.  Being the type of person who believes nothing is coincidence and that honing in on a specific age could be a clue, I thought back on my drive home about when I was twelve years old.

I recalled that when I was twelve my family moved from Colorado to Arizona and I started 6th grade.  The summer before this move we came to visit and attended a pool party.  I remember my mom pointing out to me that everyone in Arizona was fit and trim and that we should be that way too to fit in.  Over that summer I was put on a diet and I dropped lots of weight.  By beginning of the school year I was deemed acceptable.

I must own my part in this and the fact that I’m going into victim mode around this to a point.  I took on the beliefs that created this perspective on the experience.  Also, the unconscious message I got very clearly was that I was unacceptable as I was and needed to change to be accepted and loved.  I did change, but on one level, this was a betrayal of self and the buying into of a lie that there was something to fix.  Also, I remember being so hungry on this diet that I snuck uncooked pasta from the pantry.  That doesn’t seem like a normal thing, nor a compassionate way to transform one’s body.

Anyways, that event was what it was. But it was a seed which I then must take responsibility for watering and nurturing until it has grown into a thorny weed around my heart.  This weed pricks deeply, I bleed self-rejection.

I say I want to be a joyful person and yet I’m doing this to myself.  I’m showing up as sad, drama queen.  I’m told one must first fully acknowledge exactly where one is before it can be healed or addressed properly.  Normally I’d berate myself for choosing to slide down this particular death spiral, admonishing myself for once again being an asshole for choosing misery when I theoretically know better.

This time, I want to explore it more fully.  I want awaken to it so that it can reveal the gift it has in store for me.  I don’t want to resist this anymore because that doesn’t change anything, in fact it probably keeps it in place.

One thing that arises is compassion for my twelve-year-old self, who just wanted love and acceptance, who just wanted to be okay, and who rejected herself, took on the job of self-rejection, so that she wouldn’t have to endure it from others around her that she loved.  She was trying to protect me/herself in a way, and that is lovely.  The only problem is, this protection is not actually protecting me from anything – actually there is nothing to protect me from.  Actually, this armor that was built to protect me is weighing me down and causing harm.

I really want to be with whatever this part of me is that needs my love and attention.  I no longer wish to shut it down or make it go away because it’s not effective and painful.  I want to embrace this sad energy, cradle it in my heart and whisper to it, soothing it, saying, I have enough space for you.  You are welcome here.  I’m sorry it took so long for me to hear you and attend to you.  I love you and I need your love.

I surrender the need for you to grow up or be other than you are.  I surrender all my expectations.  I let go of all I pressure I put on you.  You are perfect just as you are and I’m grateful for your contribution to my life.  But this process that we’ve been doing together just brings us both down.  It’s not moving us forward, in fact it’s keeping us stuck!  And we are missing out on the joy available in the moment.  I apologize for every time I think a thought that rejects you or resists reality just as it is, with nothing added and nothing taken away.  I’m choosing to choose you and life and me and my body just exactly as it is.  I forgive myself for being human and having erroneous thoughts.  I will do my best to be aware of them and lovingly correct them as soon as possible.

So here I am, at the end of all that writing and it has nothing to do with dancing.  I just knew that I was in a tizzy and needed to work this all out.  Writing is my therapy and I thought it might contain something worth sharing.  For whatever reason, the place in my life where this particular storyline plays itself out most vehemently is while I’m dancing.  It’s the place where I can access the rejected parts of me, they are right there barely under the surface.  In most other areas of my life I don’t get this down on myself, nor do I feel the depths of despair.  I guess this is why I say that dancing is my practice.  Hopefully next time I go, me and my twelve-year-old self can go hand in hand and enjoy our time together, for I am the possibility of compassion and self-love and she is welcome here.